119 Best Creative Writing Exercises for Authors in 2026

Your protagonist sits down at a desk and begins penning a letter to his or her younger self. What would they tell their past selves? What regrets do they voice? What lessons have they learned? How have they changed? Write this imagined note yourself, in your protagonist's voice.

Here is your challenge: for the next week, collect fun names. I've collected them for years in a little notebook - from obituaries, news stories, random lists, and spam. Spam is great for funny names.Then go through your notebook, choose a name, and write a short character sketch based off that name. It's amazing how the names make the characters come to life and start moving the story in fun directions you never expected.

At the root of all writer's block? Fear. You'll recognize it by the questions you ask yourself when you sit down to write: Can Ireally finish an entire story? Am I a good enough writer to pull this off? Will this story matter to anyone? Or am I wasting my time? And what if I sound dumb?But the specific fear doesn't matter if you know how to soothe it. Here's what to do: Lie down. On the couch. In bed. In the tub (Hey, don't knock it! Sometimes it's the only place writers can find some time alone!). Lie down where it's comfortable and quiet, and write fifty words.That's it.Either the exercise helps you break through the anxiety, and you keep writing. Or you have fifty words more than you had yesterday, and you try again tomorrow. Either way, lie down and write fifty words.

Establishing how your character is perceived by others is a great way to give them greater context. It can provide the author with expectations to subvert for the reader and add an interesting mystique to the character. To give the Gatsby Method a go, write a scene in which your character is only present through the candid descriptions of him/her by others.

What can be more basic than the simple who, what, why, when and where formula? This common sense plan has proved over and over again that it is not only one of the fastest ways to begin a story, but also an easy creative writing exercise to use when you only have a small chunk of time available.If you want this formula to work for you, then the best way to approach it is to answer those questions quickly. Forget about thinking, analyzing, and worrying until later. For now, let's just start writing. Here's an example to show you how easy it is to start.

• WHO? Sally _ an eco activist/policewoman
• WHAT? Having affair with a married politician so she can blackmail and manipulate him.
• WHEN? Now
• WHERE? In contemporary Ireland
• HOW? Recording his every move, generally spying on him in order to destroy him.

Comic books don't have the luxury of prose, so what's said out loud needs to be both relevant and authentic. Take any conversation in your manuscript and try to transport it into the pages of a comic book. What is really important that MUST be said? What remains a visual?

In order to dive deeper into your character's emotional depths, ask a round of questions - both probing and seemingly innocuous alike. (Hey, you never know when your character's favorite choice of ice cream topping might come in handy!) While we encourage you to build and refine your own set of questions, these questionnaires will provide solid inspiration for now: Arthur Aron's 36 Questions That Lead to Love, and The Proust Questionnaire.

The most important thing about dialogue in any story is that it must sound real. The next time you go outside, discreetly listen in on any conversation between two people (Person A and Person B) for five minutes. Observe everything about the way that they talk. Then go home and "fill in the blanks," using Person A and Person B's cadences and speech patterns to complete the conversation yourself.

Our subconscious minds combine items in unexpected, sometimes whimsical ways. Set a timer for twenty minutes and use at least three of these words in your draft. Write without stopping: a red scarf, windshield wiper, chrome, doily, blowtorch, spatula, CD-ROM, postage stamp, frittering, static cling, radio silence, kismet, calamity, heartburn, bandage.

Describe each day of the week as if it were a person. Give each one personality traits, a job, and a goal. Write a short story about them.